Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
At Aeon, John McWhorter explores the twists and turns through English’s linguistic history that brought us the “deeply peculiar” language structure used today.
There are certain stereotypes about women’s creativity prior to the twentieth century, and generally they revolve around appropriately domestic novels, amateur watercolors, needlework, and “folk art.” But there’ve always been…
At Marginalia, a channel of the Los Angeles Review of Books, Darryl W. Stephens reviews a new history of 19th century marriage by Leslie Harris. Harris’s book documents the ways…
In his review for Hyperallergic of a new MOMA exhibit, Thomas Micchelli writes about the work of artists during and immediately after their experiences in World War II. In the…
Suzanne Jacobs writes for Grist about the work of philosopher/technologist Koert van Mensvoort and his new project, the Next Nature Network. Mensvoort’s work seeks to redefine the human civilization’s relationship…
At Lit Hub, André Naffis-Sahely discusses the vital importance of translation as a way to preserve a cultural/historical record. Translation improves a book’s chances of survival. In a way, it must.…
Genevieve Valentine explores the performance of toxic masculinity for Strange Horizons. Valentine uses the horror movie The Guest to deconstruct both the camp and the too-real danger of toxic masculinity: The…
At Lit Hub, Aaron Counts looks at writing afrofuturism in comics. Specifically, Counts discusses the upcoming run of Marvel’s Black Panther series by Ta-Nehisi Coates and how Coates’s nonfiction could…
Rachel Kincaid writes for Autostraddle on the twisted power dynamics inherent in witch trials, both in history and fiction, in the past and in the present day: But what rings…
For Aeon, Polina Aronson writes on the different “romantic regimes” of the world, with “regime” defined as the cultural, economic, and sociological systems behind how we engage in relationships. Aronson…
For Lit Hub, novelist Lily Tuck writes on “auto-fiction,” or autobiographical fiction, and why blurring the boundaries between strictly factual autobiography and fiction helps writers shape a firmer story.
Elissa Nadworny at NPR’s Education Team interviews a researcher and former teacher, Travis Bristol, on the decline of black men in the teaching profession. Bristol’s research discovered that, in several…