Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
At Aeon, Nakul Krishna revisits Enid Blyton’s Malory Towers, a series of boarding school novels, for a glimpse at the ethics that join Blyton’s novels together.
It’s not that the books that get someone into the “serious reader” club are all or even mostly by men these days. But the books that get you kicked out…
At Bitch, Soleil Ho examines the changing interpretations of Kipling’s The Jungle Book, as seen through the novel’s the many film adaptations over the years.
An automaton symbolizes the creepy resemblance between us and the clockwork mechanisms we’ve invented… and to explore the awe and apprehension of mechanical existence. Michael Peck writes for Lit Hub…
For Motherboard at VICE, John R. Platt examines the gender disparity in journalism sources and the consequences in his own work when addressing and correcting that disparity. Platt’s piece ran…
Jim Downs writes for Aeon on the radical socialist roots of the gay liberation movement in America, as well as the role of economics in allowing individuals to shape an…
At the Atlantic, Megan Garber explores the revival of the serial with the recent release of Belgravia, a serial novel-and-app from Julian Fellowes, the creator of Downton Abbey.
At SF Signal, Victor LaValle discusses his horror novella, The Ballad of Black Tom, and writers using the constraints/limitations of genre to their advantage. Want more? Check out our own…
Readers, at least some of us, read to escape because we are afraid, because we feel separate and isolated, because the decibel at which we sometimes experience the everyday feels…
For Threadless.com’s new monthly Women & Comics interview series, Gina H. Prescott speaks to cartoonist/writer/historian Julia Wertz. Wertz discusses her autobiographical comics; her historical and cityscape comics for the New Yorker…
We enjoy tragedy because through it, we are able to purge those aspects of ourselves with which we are most uncomfortable. Our onstage avatar embodies all those thoughts and feelings,…
At JSTOR Daily, linguist Chi Luu looks at language loss in victims of trauma, specifically trauma in wartime. Luu’s case studies range from a monolingual teenaged prisoner isolated in Guantanamo…