Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
Robert Minto examines selections from Homer’s Iliad to discover why some language and rhetoric misses its mark while other characters’ “winging words” achieve their purpose.
At the Atlantic, Adrienne LaFrance delves into the popular belief that technology naturally bends towards equality and progress to show how rarely that idea actually plays out.
We may have the necessities of life, but that’s never been enough for us as a species. We are forever pushing at the boundaries, never quite convinced that we’ve got…
Tara Isabella Burton revisits historical interpretations of the Bible’s Book of Genesis and the emergence of fundamentalist/literal readings of a text that, for centuries, had been interpreted as allegory.
For the Guardian, Richard Lea investigates the distinction between fiction and nonfiction writing, a distinction that exists most firmly in anglophone cultures and literature. Lea interviews several writers who work with…
The word “jawn” is unlike any other English word. In fact, according to the experts that I spoke to, it’s unlike any other word in any other language. It is…
Allison Meier writes at Hyperallergic on a speech, recently digitized by the British Library, that proves to be the only example of Shakespeare’s handwriting other than a few signatures. The excerpt…
At Aeon, Robert Neer discusses the particular absence of military history from American universities. While general history courses cover the overall societal impact of some military campaigns and political science…
Laura June writes for Pictorial at Jezebel on the epistolary life of Charlotte Bronte. June covers Bronte’s later years, showing that the significant portion of what we know about Charlotte…
Fantasy author Sofia Samatar (The Winged Histories) speaks to Kati Heng at Weird Sister about world building and invented languages, as well as the often forgotten history of non-white, non-male…
It seems counterintuitive that technology could facilitate these kinds of humanistic affirmations. That the voices of the oppressed could find not just a home, but an incredibly powerful platform, online.…
For Guernica, Elisa Gabbert explores the incorporation of emoji into language and fiction. Gabbert also addresses the idea of diachronic translations, i.e. translating fiction from one historical era to another,…