Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at michellevider.com or @meanchelled.
At Electric Literature, author Rachel Cantor discusses her second novel, Good on Paper, including the 15-year process of condensing her characters’ wide world into a story about adventure and translation.
The historical novel describes then what might have happened within what happened; the feeling of being free within the machine of one’s fate, dare I even say the old consciousness.…
Anne Boyd Rioux reviews a new biography on the wife of Lord Byron, Anne Isabella Milbanke. In her review, Rioux evaluates the still-too-high standard set for women’s biographies, particularly when…
For Motherboard at VICE, Joseph Cox interviews the two creators of The Torist, the first literary journal created and available solely on the dark web. Robert W. Gehl, the public…
For Aeon, Tiffany Jenkins writes on the importance of secrets in a person’s individual development. In addition to psychological and sociological research, Jenkins traces the vital role secrets and secret-keeping plays…
Chi Luu writes for JSTOR Daily on the popularity of invented languages, ranging from the mystical language created by a 12th century abbess to contemporary constructed languages such as Esperanto…
At Hyperallergic, Allison Meier reviews a new collection that gathers posters for productions of Shakespeare from around the world. This collection has posters from fifty-five countries, ranging from the earliest advertisements…
For The Awl, Andrew Thompson writes on the changing face of local media in Philadelphia, after the close of several local print papers and the rise of Philadelphia magazine.
Did Du Bois and the Atlanta School have a distinct standpoint? Of course…. But white privileged departments of Sociology also had their distinct standpoint. And theirs was the standpoint of…
For Longreads, Jaime Green writes about the narrative styles employed in exhibits at the American Museum of Natural History. Green focuses on the work of one of the AMNH’s directors,…
At Hyperallergic, Chris Cobb explores new photography exhibits featuring over 200 color photos from a recently rediscovered collection by Gordon Parks. The collection dates from 1956, when Parks was commissioned by…
Donna Drucker writes for Notches on the Dean of Women’s Office at Purdue University. The Dean of Women’s Office was the late 1960s predecessor to the university’s modern-day Dean of…