P.E. Garcia is an Editor-at-Large for the Rumpus and a contributor to HTMLGiant. They currently live in Philadelphia, where they were recently accidentally elected to be Judge of Elections. Find them on Twitter: @AvantGarcia.
“It is a comfort to know how swiftly and thoroughly a civilization can crumble when nobody wants it anymore,” Rowan says early in his story…that observation is more than just…
At its worst, Pynchon’s prose is a beautiful failure. At its best, Pynchon’s prose is revelatory. Nick Ripatrazone, writing for The Millions, talks about what makes it so hard to…
So while there might be those out there who really want to elevate (and pigeonhole) Boyle as an important writer dedicating his career and talents to considering these seminal concerns…
For Intelligent Life, Tim de Lisle captured some of Philip Pullman’s wisdom from his most recent interview, including his advice on how to get over writer’s block: If you’re stuck,…
We amplifies. That’s part of why writers are drawn to the collective voice, I think: it’s louder. For the Ploughshares blog, Clare Beams examines the use of the collective voice…
Carrie is most definitely of the horror genre, and horror is never about being comfortable. Society has changed, but what’s at the core of King’s novel remains as raw and…
Like its cousin apophasis, litotes is one of the stealth bombers of the rhetorical world – its anonymous ubiquity defies reason and gives it the power to strike at any…
They featured characters having hallucinations and apparitions; super-strength robots throwing cars on a destructive rampage; jealous gorillas who are furious they didn’t end up with the girl; a thieving woman…
Slate looks at the 1857 book Sanders’ School Speaker: A Comprehensive Course of Instruction in the Principles of Oratory and its illustrations of what you should do with your arms…
“I hate literature,” wrote Varlam Shalamov in a 1965 letter. “I do not write memoirs; nor do I write short stories.” Despite his claim, Varlam Shalamov would become one of…