Renee Angle is the author of WoO (Letter Machine Editions, 2016). Her writing has appeared in the literary journals Entropy Magazine, Western Humanities Review, The Volta, Diagram, Practice New Art + Writing, Sonora Review, and EOAGH, in addition to the anthology I'll Drown My Book: Conceptual Writing by Women (Les Figues Press, 2012), and in the chapbook Lucy Design in the Papal Flea (dancing girl press, 2010). She lives in Tucson, AZ, where she is at work on a memoir about watching TV with her children.
If there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?