Perfumed by Fear: Silvia Guerra’s A Sea at Dawn
Guerra attempts to maneuver around obstacles with riverine language, and tensions organize around this effort.
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Kristin Dykstra
2 posts
is a freelance writer and itinerant resident of upstate New York. His writing about music has been published at CVLT Nation, Tom Tom Magazine, The Rumpus, Popmatters, Spinner, and others. He writes fiction and non-fiction and tweets at @millenialistfun.
“Do You Hearest?”: A Review of Ova Completa by Susana Thénon, tr. Rebekah Smith
Where are you, Susana Thénon?—which I think might mean: How does Thénon achieve something more than evasion and isolation with all of this wandering around? Does she land somewhere?—“In a room where if I am I’m not or I am who cares”