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Posts by author

Serena Candelaria

98 posts
Serena Candelaria is a Rumpus intern, and a self-proclaimed fiction addict. This summer, she worked at 29th Street Publishing and began writing a novella. She is currently a senior at Yale, where she studies Literature.
  • Other

The People You Want to Share Your Brain With

  • Serena Candelaria
  • May 9, 2014
“Why are you so interested in MFAs and whether they’re a good idea or not?” asked Rumpus friend Sheila Heti, in a recent interview with the New Yorker. Heti, who did not…
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  • Other

Don’t Let the Other Voices Get Too Loud

  • Serena Candelaria
  • May 6, 2014
Before Leslie Jamison was a New York Times bestseller, she was a student at Iowa Writers’ Workshop. In an interview with The Millions, Jamison said she has “a lot of…
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Our Voices Are Voices Too

  • Serena Candelaria
  • May 2, 2014
In the 1990s, Junot Diaz enrolled in an MFA program where there was silence when it came to critical discussions of racial identity. As Diaz writes in the New Yorker, “Shit,…
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  • Other

Why Children’s Books Matter

  • Serena Candelaria
  • May 2, 2014
In a piece featured on the Paris Review’s website, Sadie Stein encourages readers to check out the New York Public Library’s exhibition “The ABC of It: Why Children’s Books Matter.”…
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Figuring Out What Essays Are

  • Serena Candelaria
  • April 29, 2014
What’s the difference between an essay and a novel? Teju Cole considered that question in his 2012 essay, “The White Savior Industrial Complex,” writing that essays have points, while novels do…
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Plunge Into the Dark with Open Eyes

  • Serena Candelaria
  • April 25, 2014
Terrifying though the unknown may seem, there are benefits to plunging into the murky waters of uncertainty. In an essay featured in the New Yorker, Rebecca Solnit writes, “It’s the job of writers and explorers…
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Still Writing Like a Motherfucker

  • Serena Candelaria
  • April 22, 2014
An article published in Flavorwire hails Cheryl Strayed (Rumpus’ very own Sugar) as a publishing hero. In Jason Diamond’s words, “Strayed is the rare type of writer who is both critically and commercially embraced, but also keeps her feet…
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I Cook Because I Love You

  • Serena Candelaria
  • April 18, 2014
When my grandmother taught me to make banana pancakes, which we did every Wednesday night through much of my childhood, she would counsel “Hold the bowl” as I stirred, which…
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Like, Considering the Other Side

  • Serena Candelaria
  • April 8, 2014
Critics might believe that “like” has infiltrated and degraded American English, but John McWhorter argues just the contrary. McWhorter claims that “like” is not a marker of the downfall of…
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On Writing and Uncertainty

  • Serena Candelaria
  • April 4, 2014
Is writing a fundamentally speculative act? This is one of the questions Jenny Offill was asked in an interview with the Paris Review. Offill discusses the uncertainty that comes with being…
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What’s the Point of Speed Reading?

  • Serena Candelaria
  • April 4, 2014
“The dream of speed-reading has been around since long before screens were ubiquitous,” as James Camp writes in the New Yorker. Now, the much-discussed startup Spritz is promising to make…
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  • Other

The Eternal Question: To MFA or Not?

  • Serena Candelaria
  • March 28, 2014
Writers who are currently trying to decide whether an MFA is right for them will find that the questions being raised today are not unlike those addressed by Flannery O’Connor:…
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