Stephanie Bento is a writer, classical cellist, and photographer living in Washington, DC. In her writing, she is interested in exploring the musicality of sound and form, and our connection to time and place. Find out more about her creative work at saudadebelle.com, or say hello/bonjour on Twitter @saudadebelle.
I began to wonder whether we can train ourselves to become more serendipitous. How do we cultivate the art of finding what we’re not seeking? Over at the New York…
To marry the traditions of the Victorian novel to modern technology, allowing the reader, or listener, an involvement with the characters and the background of the story and the world…
Always a work in progress. Always dancing. Looking for an inspiring read for the new year? The New York Times‘s Sunday Book Review offers a glowing critique of two of the…
Considering that most poetry isn’t read, “is it brave or crazy to devote oneself to poetry,” the New York Times asks. Citing poet Christopher Gilbert’s recently republished manuscript, the article…
Patience. Curiosity. Repetition. Looking again and again. Not imposing a story line. Letting composition emerge through pattern, rhythm, shape, sound, movement. Occasionally … you hit upon a moment of grace.…
Brevity’s nonfiction blog takes a look at a recent short film about writer George Saunders’s thoughts on storytelling, and applies his advice to essay and memoir: With nonfiction, looking underneath…
Based on the available evidence, if you want to write one of the fifty most important novels in the next half-century, then by all means avoid sentimental language. But if…
Researchers at the University of Texas at Austin have found a unique way of honoring the Bard on the upcoming 400th anniversary of his death: a digital re-creation of a…
Books are steadily increasing in size, according to a survey that has found the average number of pages has grown by 25% over the last 15 years. According to the…
Over at NPR, authors Claire Vaye Watkins and Marlon James talk about Watkins’s recent essay, “On Pandering,” which she describes as: …internalizing the sexism that I’d encountered in the writing…
The project brings physical books back into the public’s routine, and in some ways obviates the debate over the necessity or function of the print object. The Ploughshares blog recently…