Stephanie Bento is a writer, classical cellist, and photographer living in Washington, DC. In her writing, she is interested in exploring the musicality of sound and form, and our connection to time and place. Find out more about her creative work at saudadebelle.com, or say hello/bonjour on Twitter @saudadebelle.
This is a story is about a con that unfolded very slowly over two decades. When the con was finally exposed, some of the victims defended the people who had…
“I love that Justin Trudeau has a literature degree,” says Heather O’Neill. “We need a literary imagination to run the country.” In a conversation with Lit Hub, Montreal-based writer Heather O’Neill,…
“We’re so lonely in our processes,” July laughs of the plight of so many creative types, “that it’s just fun—like, ‘Wow, we get to email with each other!’ when usually…
I sort of just follow the impulse to go there and to sit with an uncomfortable emotion or an uncomfortable physical thing. In conversation with radio host David Naimon, writer…
Over at Brevity’s nonfiction blog, author Janice Gary talks about how to structure a nonfiction story: Fiction writers start with nothing and create a world. Memoirists start with an entire…
The goal of the paperback is therefore to reposition a book, capture a wider audience, or target a new market. We give books a second chance. In an essay at Lit…
I don’t trust any writer who takes himself seriously. It’s all kind of ridiculous. Our job is to write about humans, and humans are funny. Over at BOMB Magazine, J.T. Price…
When a piece of art inspires you, it literally in-spires, breaths into you. It makes us want to create new art. Or, maybe it’s a more basic instinct. From the…
Writing about a water shortage is handy for a writer like me who loves, when reading, to be swept away in plot but whose characters seem to prefer to sit…
Very cool, artsy things are happening in Austin. Together with the literary journal NANO Fiction, Austin-based composer Russell Podgorsek and collaborators have created music to accompany the journal’s fall issue.
If a writer isn’t familiar with the literature of her own country as it unfolds in her own time, she misses out on dialogue, on contact with the path. She…