Steven Church is the author of The Guinness Book of Me: a Memoir of Record, Theoretical Killings: Essays and Accidents, and The Day After The Day After: My Atomic Angst. His essays have been published or are forthcoming in Fourth Genre, Creative Nonfiction, Prairie Schooner, AGNI, The Pedestrian, River Teeth, The North American Review, Brevity, Colorado Review and many others. His essay, "Auscultation" was selected by Edwidge Danticat for the 2011 Best American Essays. He's a founding editor of the literary magazine, The Normal School, and teaches in the MFA Program at Fresno State.
In Charles Moore’s iconic black-and-white photograph, Coretta looks on stoically, lips parted, hands clasped in front as her husband, Martin Luther King, has his right arm bent behind his back…
The plan was not to cause an earthquake. The USGS would tell you that this is nearly impossible. They would tell you that humans are just too insignificant to affect the seismicity of our planet.
I’d lived in California for over six years and still hadn’t experienced a quintessential California quake, still hadn’t come close to what Schopenhauer might call the “dynamic sublime,” the encounter with something powerful enough to destroy you.