Walter Gordon is an intern at The Rumpus. He is a native of Berkeley, CA and goes to
college in Oberlin, OH. He spends most of his time reading. His eyes hurt. Other hobbies include photography, writing fiction, and sitting on top of tall piles of rocks.
At The American Interest, David Green issues “A Call To Linguistic Disobedience.” In his essay, Green argues that some of the most basic linguistic techniques used to describe the state…
On July 16, Chuck Palahniuk will be at the Castro Theatre in conversation with Rumpus contributor Tom Barbash. Last month, Palahniuk released Invisible Monsters Remix, a “director’s cut” hardcover of a…
On July 14, SF MoMA will be opening a retrospective of the work of photographer Cindy Sherman. Starting with her series Untitled Film Stills, Sherman’s photographs have consistently challenged the limits, meaning,…
At The New Yorker, novelist and Pulitzer Prize jury member Michael Cunningham has written a two-part essay about why there was no Prize awarded for fiction this year for the first time…
“It’s hard to imagine a young woman’s stripper story serving as an allegory to critique capitalism: woman loses home in foreclosure so now she loses her bra.” At The New Inquiry,…
“I love the tingling pullover of night sounds and forest sounds and the bite of cold breeze and distant cars and stereos. Sometimes I close my eyes and sway my…
“Sometimes the people who lament that global English has become a ‘grey language’ forget that the greyness predominates in certain social contexts, like business communication, and they forget that while…
At The Rumpus, we love a good letter, and Tanya Houghton wants you to send her mother postcards. Three years ago Marianne Houghton was diagnosed with terminal lung cancer. Once an avid…
Pitchfork has posted a trailer for funky-afro-prog-pop indie darlings Dirty Projectors’ upcoming short film, “Hi Custodian.” Among the many highlights is the 808 heavy, clap laden introductory track, “Offspring Are…
At Full Stop, Ben Jahn reviews Ted Sanders’ new story collection, No Animals We Could Name. The collection, as the title suggests, often skirts the foggy line between the imaginary and the…
Iranian director Jafar Panahi’s This Is Not A Film is being screened at the Pacific Film Archive in Berkeley on July 8th. During the film’s production, Panahi was under strict…
Nicolas Jaar makes songs that sound something like stripped down, rained on dance music held behind a thin layer of ice. His first album, “Space is Only Noise”, was released…