“This is solid, mostly titanium,” the surgeon says while I’m still groggy in recovery. “You can’t pull it apart if you tried.,” and, almost as an afterthought, “Don’t try.”
I always received glowing remarks on my alliteration or understanding of poetic devices, but they were hidden beneath what felt like hundreds of tiny red strikes across misspellings—although my phonetic versions of the words were sometimes genius, and always understandable.
The ableism of schools as workplaces means that all teachers are assumed to be able-bodied until a disabled teacher identifies their need for accommodations. Schools respond; they do not, to my knowledge, anticipate disabled teachers.
I’d never thought of myself as separate from the world I lived in; the Outside I came from was sensory-rich and immersive, there my interactions unfolded organically and overlapped, building intuitively like the scales on a pinecone, rewarding curiosity with wonder.
The term “invisible disability” is commonly used to describe disabilities that are not readily apparent to the eye, but I want to push back on this term. When you pay close attention, most disabilities become visible. Poems are not encoded messages that we’re meant to decipher, I frequently remind my students, they are language organized in ways that demand a different kind of attention. And so it is with invisible disabilities . . .