The Empowerment Avenue collective emerged from a simple need: incarcerated folks have limited support, on top of no internet and email access, to get their writing out of prison and into the hands of editors.
I’ve filled states, the state / of Oklahoma, for example, flat, / unyielding fields, split with / no-river gorges, what’s left / of me after the flooding.
They are for young people who don’t need to make up their minds about having children yet. They offer safety from surprises and forgetfulness, “mistake-proof.”
Perhaps like a phoenix, Martin maintains such a commanding presence throughout the book because she has endured the sacrificial fire of being a poet, the necessary self-immolation.
Featuring gifted emerging poets from Ghana, Nigeria and South Africa . . . Kumi is a final tribute to a visionary and valuable investment in African poetry.