how exactly to ignite, to speak in sign, what the flashing draws down, damp, out, and what it / means to be a newborn body made of burnt-back embers, drifting over the sidewalk
Within Bianca, the speaker must choose the life she has over and over again, as a way forward—not as a stoic rendition of the eternal return of the same, but as desire.
Egger’s sentences jump from one point to another, perhaps mirroring in her language how the speakers jump from one bed into another—the next temporary stop is wherever desire leads her to be.
The bees would not miss us if the entire neighborhood went missing. / The reverse isn’t true. The mind goes to self // as the self comes to mind. / The mind tells the self, I made you, / and the self asks, who gave you that idea?
The range of prepositions used here in writing about how to write AIDS is indicative of the range of questions encompassed by the book, the range of the “brutal presence” of the disease.
I drew a house / I drew a house with a tire swing / I drew a house with a tire swing and deep green grass /
I drew a house with a tire swing and deep green grass and a little pond