Interviews
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The Train Keeps Moving: A Conversation with Jeff Boyd
“To me, there always has to be a sort of rhythm or pace to it, which is what I was keeping in mind as I was switching POVs in this novel. The train’s always moving, and it’s almost always moving…
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Waiting, Migration, and the Narrators Between: A Conversation with Bsrat Mezghebe
“I generally wrote as if the reader would know what I was talking about. I did not want to be bothered with incredibly long and detailed descriptions of culturally specific food, clothes, events et cetera. I thought it would slow…
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Casting a Wider Lens & Writing about Lived History: A Conversation with Sean Hill
“ I was interested in seeing what I could do with the sonnet and a voice much like my grandmother’s. Being urged to write about the women in my family moved me to write about the people and place I…
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Bouquet of Memoirs: A Conversation with Beth Ann Fennelly
“I know sometimes people find titles by looking at the titles of individual pieces, and they look for the most significant or biggest piece. And in this case, it was actually one of the slightest pieces, but that also seemed…
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The Call and Response of the Ensemble Novel: A Conversation with Emily Nemens
“I do think a lot about musical structures, and call and response. There is a common source to both writing and music—some of these patterns that we digest and metabolize as musicians about structure and callbacks. I love telling my…
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Knowing the End before the Beginning: A Conversation with Jonathan Miles
The distinctions we make between ourselves and our animal brethren tend to be very self-flattering. We have unique skills and capabilities, to be sure, but they’re just fractionally different from those of many animals, and our primal drives are essentially…
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Distracting Self from Grief through Form: A Conversation with Ashley M. Jones
“I wanted to do a heroic crown of sonnets to try to encapsulate the bigness of his life, but also the bigness of his loss. That was a lot to deal with. So, knowing that I at least could focus…
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The Promise of Deliverance, The Potential for Doom: A Conversation with Scott Broker
“This book hopes to challenge the myth that there is any one right way to be an artist, primarily by showing how many contradictory answers people try to give you to that question. What works for any one person is…
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The Problem and Gift of Writing from Memory: A Conversation with Preeti Vangani
“I think people have started reading poetry as memoir, and I think fiction writers also suffer from that kind of readership, where everything that happened to the character has happened to the writer as well. I want to continuously challenge…
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Fiction as Containers for Memory: A Conversation with Rainbow Rowell
Rainbow Rowell writes a lot of things—comic books, graphic novels, fantasy stories with a distinct Drarry undertone (yeah, Harry Potter and Draco Malfoy kiss in certain corners of the internet)—but she doesn’t write “romance.” At least, not in the traditional…
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“Like a Bowl Picked Up in the Dark”: A Conversation with Brian Trapp
“I had this very intimate and intense relationship with my brother and thought I knew him best. So I could dramatize that by having it in dialogue, and then thinking about ways in which, if that’s the one true thing,…
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“At first, everything was just ugly and scary:” A Conversation with Amanda Quaid
That reminds me of my former student, the poet Max Ritvo, who had a great image about radiation being like a just-for-you soup can. He said the first time he heard the beam, he was like, “They made it just…