Features & Reviews
9297 posts
Misperceptions, Assumptions, and Slurs: Jackie Domenus’s No Offense
Even when doing the work to figure ourselves out, even within the seemingly safest of spaces, we must grapple with how others contain and label us.
Chaos Seeps Into Order: A Conversation with Maria Reva
If you can laugh about a difficult situation, laugh in your aggressor’s face, it gives you a sense of power.
A Summertime Swoon Tash Aw’s The South
The relationship helps Jay achieve a sense of selfhood that promises to outlast the usual parameters of a summer romance. In a sense, he’s coming out to himself.
Despair is a Luxury, but Hope is a Discipline: A Conversation with Robert Macfarlane
Despair is a luxury, but hope is a discipline.
Contrast, Rumination, and Metamorphosis: Diannely Antigua’s Good Monster
As in her debut, Antigua heads off any feelings of confessional monotony by mixing her diary poems with an elegant variety of lesser confessional, more expositional poems.
Why a Happy Ending Matters: A Review of John Vercher’s Novels
To appreciate John Vercher’s complete oeuvre of fiction, we have to appreciate what has remained throughout his work and what has shifted.
I Needed Love Poems For Myself: A Conversation with Rob Macaisa Colgate
I’m curious about a world in which people are less bothered by the physical confrontation of mental disability, and that felt important when I was writing this book to have mental disability take up physical space in the poems and the pages.
The First Book: Veena Dinavahi
Make your own meaning. It sounds cliché, but I’ve come to accept it as a survival skill.
“Three Initiates”: On Jeanne Thornton’s A/S/L
When Thornton’s characters’ lives on and off screen drastically diverge, A/S/L not only satisfies nostalgia, but catapults the narrative to a whole new level.
The Tightrope Walk of Making Comics: A Conversation with María Medem
I have a love for showing movement and things as they are. I feel very uncomfortable when things are abrupt, especially if the story doesn’t call for it.
Sacred Mire and the Cutting Edge of Anti-: Tawahum Bige’s Cut to Fortress
Bige as an in-your-face activist-poet resists the colonizer through a poetry they themselves appropriate and transform mainly via language play and voice into an indigenous poetry of personal redemption.