Jennifer Lyon Bell makes porn with a humanistic approach, designed to get viewers to identify with the characters, not just watch them. She combines the visual quality of art films…
When I saw Wim Wenders introduce his latest film, Pina – a majestic remembrance and celebration of the late German choreographer, Pina Bausch – he remarked that he was the…
The opening image is of a young girl, twenty going on twelve, pale enough to make you worry if she’s ever seen the sun. She’s sitting in an antiseptic lab…
Two decades have elapsed since I first experienced D.A. Pennebaker’s vérité film Town Bloody Hall, and it’s a little over forty years since the spectacular 1971 ‘dialogue on women’s liberation’…
Rumpus editor Stephen Elliott’s first feature film, Cherry, has been accepted into the Berlin International Film Festival. The film will make it’s world premiere February 16 at the 1,600 seat Friedrichsstadtpalast…
We don’t usually do lists, but when the Academy’s list of Best Director nominees is 100% dudes, an exception seems necessary. Canonball chronicles five female directors “whose direction deserved more…
Giuseppe Andrews is a filmmaker/musician who makes work like no other. Similar in fashion to John Cassavetes, he acts in films and then uses the money to fund his own movies.
Beneath Shame’s veneer of soulless chic and artful grit, there’s an urgency that’s like an infant’s cry: blunt yet piercing, aware only of its own pain.
Salon converses with David Lynch about his new album Crazy Clown Time. The director discusses transcendental meditation, his attraction to sound, and finding humor in the disturbing. “When you get…