This Week: check out an “occurrence” in a motel at Mugwumpin’s Get This Go, The Rumpus hosts an evening of music and film with The Yellow Dress at The Rickshaw…
It’s “Terry Southern Month” at The Paris Review Daily—the quarterly’s online “culture gazette,” the goal of which is to stay in touch with The Paris Review’s audience between print issues.…
If films were fighters, Mike Ott’s second offering, Littlerock, would weigh in at 123 minutes, placing it in the featherweight division, a deft, gentle movie, lithe and light during its two hours…
This week, get your food on at the Old Mint Building, learn how to write the perfect press release, get crafty at Workshop SF for the Divisadero Art Walk and…
This ongoing experiment in film writing freezes a film at 10, 40, and 70 minutes, and keeps the commentary as close to those frames as possible. This week, I examine…
“Film scoring is an essential part of cinema, and it’s a part of cinema that works — when it works — completely unconsciously. When you hear a great score after…
This week, Monday gets more tolerable with cocktails and local art at Make My Monday, Bobby Blanchard, Lesbian Gym Teacher takes over El Rio, demystify the history of the Wiggle…
This week in New York, BookExpo America (BEA) kicks off, and this year with a new feature: New York Book Week–events that are open to the public. Daniel Handler (aka…
Anyone familiar with Catherine Breillat’s career to this point might have been momentarily confused upon hearing or reading about her latest film, a retelling of the classic gothic fairy tale…
A little while back, Roger Ebert wrote a great article on Newsweek entitled “Why I Hate 3D.” It’s a fun read, an entertaining rundown of all the ways in which…
Murderer Gary Gilmore does the Texas two-step, Master Masons experience spiritual transcendence in the Chrysler building and satyrs compete in motorcycle side-car teams. These are just a few bits of…