The Rumpus Interview with Kerry and Tyler Cohen
Sisters and collaborators Kerry and Tyler Cohen talk about their new book Girl Trouble: An Illustrated Memoir, female friendships, and some of the challenges of writing memoir.
Rumpus Original
8548 posts
Merry Christmas, Mr. #TrumpOwnsAmerica
He said, "You've got to understand I would have burned down anything just to get somebody to listen to me."
The Sunday Rumpus Interview: Jaimee Wriston Colbert
Life’s inequities can be cruel, but in the end we are all part of our communities; suffering though we may be, we are not alone.
The Saturday Rumpus Essay: Wa
It’s about greed; it’s about taking only the best part of things, the cream off the top, the fat. And this taking of the fat has reached a crisis point in America—a critical mass, if you will.
The Read Along: Christina Nichol
Christina Nichol, author of Waiting for the Electricity, takes a deep dive into Korean literature and catches up on some classics of anthropology and psychology.
The Rumpus Interview with Stacy Szymaszek
Poet Stacy Szymaszek discusses her most recent collection, Journal of Ugly Sites & Other Journals, the "notebook genre," and claiming a city—ugly sites and all.
The Rumpus Book Club Chat with Iben Mondrup and Kerri Pierce
Iben Mondrup and Kerri Pierce discuss the translation of Justine, Mondrup's 2012 Danish novel about a young artist in Denmark.
Sound Takes: A Charlie Brown Christmas
But what distinguishes Guaraldi from his superiors is his respect for the tried and true. If “O Tannenbaum” has worked for a few hundred years, maybe it’s worth kicking around the block a time or two.
The Alienation of an Irish Abortion
Was it a dream? A nightmare? I felt like I’d been sold a lie. There was no husband or caring partner, no safe home or solid income. Just me, pregnant and alone, in an abortion clinic with my rapist.
The Rumpus Interview with Vanessa Hua
Vanessa Hua discusses her debut collection, Deceit and Other Possibilities, writing fiction in order to understand life as an American-born child of immigrants, and the importance of literary community.
The Last Book I Loved: So Long, See You Tomorrow
By drawing us into his childhood, Maxwell shows us how to revisit our own. We become the storytellers of our own lives.
Not a Widow
I want to think of him as inhuman and selfish instead of an admirable man who eventually succumbed to a brain chemistry he had no control over.