Rumpus Original
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The Rumpus Interview with Andrew Ervin
Andrew Ervin discusses his debut novel, Burning Down George Orwell’s House, social media and writing, and how video games can serve as a way to understand the post-human world.
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The Sunday Rumpus Essay: There Will Be Blood
It is 1980, I am twelve years old, and there is so much blood.
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The Saturday Rumpus Essay: Stepfatherhood
“He was my real dad,” she says. “I just happened to have two.”
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The Rumpus Interview with Me and Earl and the Dying Girl
Producer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
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Make/Work Episode 32: Nathan Langston
In episode 32 of The Rumpus’s Make/Work podcast, host Scott Pinkmountain speaks with poet and composer Nathan Langston about the origin and development of his most recent project, and the effect it’s had on his creative and personal life.
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Albums of Our Lives: Bloc Party’s Silent Alarm
We could hear the muffled roar of the show booming through the walls of the historic building. We were drunk, pretending to be music writers. We were giddy with our trespass.
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The Rumpus Hypertext Interview with Maya Lang
Author Maya Lang discusses her Joyce-inspired novel The Sixteenth of June, the “illiterate, underbred” epic Ulysses, and the insufficiency of “yes” in an interactive interview with Allison Adair.
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The Rumpus Poetry Book Club Chat with Sandra Beasley
The Rumpus Poetry Book Club chats with Sandra Beasley about her new book Count the Waves, sestinas, and how actions can serve as signposts in the time stream.
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OG DAD #26: The Greedy Fox
Phobic or diligent? You be the judge. All fodder to feed into the Daddy neurosis machine.
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Hideaway
In the woods, at first we feel like babies carried on our mothers’ backs. We run at the end of the pack with our heads shaved bald as a symbol of our newness.
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The Rumpus Interview with Sean Wilsey
Sean Wilsey discusses his latest book of essays, More Curious, being David Foster Wallace’s neighbor, the healing power of the American road trip, and the difference between writing fiction and memoir.
