Music
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Songs of Our Lives: Stereolab’s “Pause”
“Pause,” like the nostalgia it references, possesses the qualities of ceremony. My ceremony: I played and replayed this song that year, transforming past into present into past over and over.
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This Week in Posivibes: WWINGS
The Russian trio’s self-proclaimed “disturbing and depressive” apocalyptic electronic music has hit an incredible, eerie place with PHOENIXXX, one of their seven (!) releases from 2016. Members Lit Daw, Lit Eyne, and Lit Internet met via the web, beginning their collaboration…
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Sound & Vision: Ebru Yildiz
Brooklyn-based photographer Ebru Yildiz talks with Allyson McCabe about shooting concert photos, moving to New York from Turkey, and discovering the city’s music scene.
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More Reasons Why Beyoncé Is Great
If you make a visual album and get nominated for crazy amounts of awards, you should probably honor your performers. Beyoncé gets this (or her people do, which is close enough to the same thing), once again proving that she stands apart…
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The Palm Tree Falls into the Sea
We regularly turn to Aquarium Drunkard for its mixtapes, and this week the site has released another perfect moodscape for the season. The Palm Tree Falls into the Sea: An August Mixtape is the end-of-summer jammer you’re searching for, with songs from…
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Celebrating Footwork
When thinking about the importance of house music, the dance that it created—and that inspired the genre’s evolution—is less often discussed. Chicago’s footwork crew The Era is doing what it can to call attention to the significance of its style as…
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Song of the Day: “Bugs Don’t Buzz”
“I feel like [music] can serve functions that used to be served by things that were religious,” says electronic musician Devon Welsh. Compelling words from one half of the art pop duo Magical Cloudz, whose 2013 record Impersonator communicates a pious respect for the…
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Swinging Modern Sounds #74: A Social Practice
Everywhere there is sterling musicianship, of the original, unexpected sort.
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This Week in Posivibes: A Frank Ocean Bonanza
It’s not hyperbole to say that everyone is losing their minds over Frank Ocean’s release of Endless, Blonde, and Boys Don’t Cry Magazine. After a four-year wait between albums, this outpouring offers a lot of incredible material to unpack. Blonde’s credit list alone makes perfect fodder for music writers,…
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Flea and Koko
The Red Hot Chili Peppers guitarist recently got together with Koko, the exceptional gorilla who famously learned sign language and proved the intelligence of our mammalian ancestors along with their depth of creativity. (She also loves cats.) Of course Koko, being the…
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Call Center Blues
We’re always happy to celebrate our friends’ work, so we’re pleased to announce that Rumpus alum Casey Dayan has released a new single with his band, Mootheband. Listen to the track, “Call Center Blues,” after the jump, and stay tuned for more Mootheband,…
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Covers and Cultural Appropriation
It’s been a major issue since American popular music first expanded its sonic territory from traditional country and folk songs: the cultural appropriation of sounds, and even entire pieces, that became more marketable (and thus lucrative) once they were performed by…