Producer/songwriter duos depend on so many factors for their success, so when a great one comes along, we seize it and refuse to let go. Grab hold of “Colours,” by…
Michael Hearst has come a long way from the guy who played plastic wind instruments on Seventh Avenue, to an admirably creative and original adulthood.
The warm swing-era horn section and tasteful piano vamps are just a few reasons to listen to jazz icon Ella Fitzgerald, but today there’s a more obvious reason to cue…
If power is going to shift toward equality, men have to see power less as an inherent right and more as something we can be incentivized to relinquish.
Merry Christmas baby You sure do treat me nice Soul icon Otis Redding’s short career was remarkably prolific. The highlights from his electrifying catalog are varied and buoyant, even in…
Director and punk rock enthusiast Scott Crawford talks with Allyson McCabe about his film Salad Days, his punk fanzine Metrozine, Kickstarter, and DIY music culture.
The aptly dubbed neo-blues duo The Black Keys have made a name for themselves by giving an old and hallowed genre a fresh sheen. Since forming in 2001, the hard-touring…
“Post-punk revivalists” Interpol have been likened to predecessors Joy Division and Echo and the Bunnymen, though the stamp of Jim Morrison and The Doors is also audible in their unapologetic,…
There is a lot to learn from Vashti Bunyan, therefore, about how to live a self-designed life, and how to be unapologetic and decisive about the habit of songwriting.
Singer-songwriter Guy Forsyth talks about his time with the much-storied Asylum Street Spankers, his David and Goliath-esque legal battle against his former record label, and his latest album, The Freedom to Fail.