...if you want more, the music can meet you where you are. It can instruct on the meaning of music itself, on its history, on its cross-cultural possibilities.
While it’s possible to find a lot to worry about in the world of contemporary music, there’s always something new to listen to as well, post-historical, outlying, pre- or anti- or minimally digital music. And so maybe there will be five more years of Swinging Modern Sounds.
Rick Moody talks with composer Meredith Monk about her new album Monk: Piano Songs, the physical movement integral to music-making, and what the future holds after 50 years of performing.
I thought, in my ongoing attempt to describe how digital music is changing the way we consume music, that it would be good to speak to a representative young person about her music listening habits.
Dean Wareham is a great writer, and possessed of a strikingly astringent and dry-eyed view of things without pity or self-pity or undue kindness, and what follows, I trust, will give abundant evidence of this.
This column collects a bunch of albums (and, in one case, a book by a writer/musician) that I have loved a great deal in the last six months, as well as exactly one album that I think is not worth the hype.
Dave Allen is a formidable commentator these days on all things Internet, a sort of web 2.0 version of Marshall McLuhan: less New Age than Jaron Lanier, less Palo-Alto-Research-Center than Bill Joyce, less corporate than Mark Zuckerberg.