Throughout history, the marauding aristocracy has torn away people from their land and community, most recently in the formation of the modern industrial nation.
One thing I always tell my students is, "your story matters," because I want them to believe their observations about themselves and the world around them are worth writing about.
I would love to see more literature courses used to bring canonical books into conversation with other authors, taking another writer’s point of view to expand and critique the lens offered by the canon.
Writing is a solitary venture that can get very lonely. I like having the presence of other writers around and just thinking about writing can generate a spark.
I like books that mean something in and outside of their own narratives, impacting my worldview. The stirring can be felt in beautiful writing, or powerful concepts, deep analysis, or emotion that resonates off the page.
I wanted my novel, Lesser Ruins, to feel at ease getting lost, to relish in its obsessions and procrastinations, from long descriptions of electronic music to digressions about coffee to the strange, suffocating world of academia.
Some of the work is simply slowing down visitors and sustaining their attention long enough for the pieces to click together, or for their perspective to shift, or for a light bulb to—literally—go off.