For Hyperallergic, Allison Meier covers design ideas for nuclear waste warning signs, with scientists and artists around the world attempting to design warning signs that would deter humans 10,000 (or…
Allison Meier writes for Hyperallergic on the hand-drawn, recently digitized data visualizations produced by W. E. B. DuBois (in collaboration with others) to demonstrate the size and scope of black…
A new exhibit, Fantastic Worlds: Science and Fiction 1780–1910, is on view at the newly renovated Smithsonian Libraries Gallery at the National Museum of American History. The exhibit explores the imaginations of 18th…
Allison Meier writes at Hyperallergic on a speech, recently digitized by the British Library, that proves to be the only example of Shakespeare’s handwriting other than a few signatures. The excerpt…
At Hyperallergic, Allison Meier reviews a new collection that gathers posters for productions of Shakespeare from around the world. This collection has posters from fifty-five countries, ranging from the earliest advertisements…
For Hyperallergic, Allison Meier takes a look at the image management of Louis XIV’s reign as told through the medium of elaborate and intricate medals that traveled across late 17th…
At Hyperallergic, Allison Meier offers a history of the oldest multicolor printed book, recently digitized and published online by the Cambridge University Library system. The manual [the 17th-century Manual of…