Reviewing Mary Norris’s Between You & Me: Confessions of a Comma Queen for The New Republic, Julia Holmes reflects on her own experience as a copy editor, as well as…
Mary Norris has a gift for your favorite grammarian in this week’s New Yorker: a detailed account of comma policy from a veteran copyeditor. The magazine is notorious for its…
Technically perfect writing is important when it comes to journalism or nonfiction, and especially helpful when writing with short deadlines. Fiction writing is different though. Nicole Bernier, over at Beyond…
Writers and editors don’t always get along, but usually their squabbles remain private. Reviewer copies of Moriarty, a new Sherlock Holmes novel, were published and sent to places like the…
This conversation at the Millions between Edan Lepucki and her copyeditor Susan Bradanini Betz is a beautiful paean to the editing process—and enlightening for anyone who wonders what precisely a…
In a conversation for the Slate Book Review, author Donna Tartt and her editor Michael Pietsch talk through the experience of editing her latest novel from both sides of the red…
Once you train yourself to spot errors, you can’t not spot them….You notice typos in novels, missing words in other magazines, incorrect punctuation on billboards. You have nightmares that your…
Yuka Igarashi of Granta wrote an introspective piece on the trappings and fussiness of copyediting. The presence of the unedited, the wrongfully edited, and the misspelled can be infuriating to…
Proper copy editing includes examining the focus, dredging the main point up from the tenth paragraph to make it more prominent. Proper copy editing addresses the language: rooting out cliches,…
How delightful is this style sheet used by the editors of George Saunders’s forthcoming short-story collection? Highlights include the distinction between “pity whoop” (noun) and “pity-whoop” (verb), the hyphenation of “pre-boner,” and…