For The New Republic, Suki Kim writes of Lionel Shriver’s remarks in Brisbane, “I had been invited to the Brisbane Writers Festival as a writer, but now I was here,…
Brutalist architecture—those hulking, concrete buildings from the mid-1950s to mid-1970s—is making a quiet comeback in popularity. A new book by Christopher Beanland, Concrete Concept explores why: And the sheer variety…
At the Atlantic, Adrienne LaFrance defends teenagers’ ever-maligned contributions to the lexicon, citing a recent student that examines the extent to which teens influence linguistic change: And the thing about…
As the value of an individual book is devalued, so is the self. We are made to feel that it’s only through constant communication with a community that we have…
At JSTOR Daily, Livia Gershon offers a brief history of the concept of “home.” Gershon traces the changes not only in the emerging role of the home as a private…
A new exhibit at the Guggenheim Museum mixes visual art with writing: “Storylines” is about the resurgence of narrative in the visual arts, but it is also about how writers…
The digital age threatens works of serious literary merit, warns British novelist Will Self: Back when I began publishing novels, not only did the reviews in the quality press mean…