David Biespiel’s Poetry Wire: 10 Burdens for American Poetry
As with the myth of America, America’s poets believe a poem should go from rags to riches. And yet, why so much surprise when it actually happens? There is more…
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David Biespiel’s Poetry Wire
101 posts
David Biespiel’s Poetry Wire: Reading My Hate Mail
Every since I wrote this weekend with the news that I’m stepping down, after 11 years, as a columnist on poetry for my local paper, I’ve received some very nice…
David Biespiel’s Poetry Wire: The Fading of September 11
We live in a world where whenever the discussion turns to humanitarian assistance or military intervention what is meant by that is American assistance and American intervention. There are good…
David Biespiel’s Poetry Wire: Death of the Natural
I mean, his [Heaney's] verse is under my skin. His verbs are inside my veins. His metaphors are in my nervous system. His moral clarity is a light inside my own, shall we say, republic of conscience.
David Biespiel’s Poetry Wire: The Cynicism of Mark Edmundson, Or Poetry Is Still Not Dead
Mark Edmundson’s take down of contemporary American poetry, “Poetry Slam,” (currently behind the paywall) in this month’s issue of Harper’s, is not so bad really. He’s right about the insularity…
David Biespiel’s Poetry Wire: Foxes, Hedgehogs, and Bad Judgment
Asked by James Dickey why he got “into this,” meaning into the literary business, into poetry, Robert Penn Warren says, “bad judgment.” I suppose, one thinks about this sort of…
David Biespiel’s Poetry Wire: Syria’s Poets Under Threat
The debate about political poetry in the United States sometimes has an arid feel to it. Essential, yes. But fatally so? Not very often. But poets caught up in violent…
David Biespiel’s Poetry Wire: What is Lyric Poetry II
Back in December last year I offered not so much ten definitions but ten clues, fixings, or renditions about lyric poetry. A couple dozen of you chimed in as well,…
David Biespiel’s Poetry Wire: Boston Stands in a Sahara of Blood
“The old South Boston Aquarium stands / in a Sahara of snow now,” begins Robert Lowell’s masterpiece, “For the Union Dead,” a poem about race and class in Boston. To…
David Biespiel’s Poetry Wire: Politics and Post-Modernism?
No one can know for sure what literary historians will make of it, least of all me as I pound out an editorial about poetry every week. But if I…
David Biespiel’s Poetry Wire: Republican House Set to Banish Poets from America
“The subcommittee's bill breaks the promise that this country has made to poets”