Novelist Bud Smith talks about his new book, F-250, working construction and metalworking, finding writing after his friend’s death, and crashing his car over and over again.
Producer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
Sean Wilsey discusses his latest book of essays, More Curious, being David Foster Wallace’s neighbor, the healing power of the American road trip, and the difference between writing fiction and memoir.
As a culture, we tend to place more significance on the mystique of death than the actual event. We avoid considering the details: the transportation of the body down to the morgue, the excising of the organs, the decay of the skin within the tomb.
Standing at the pool’s edge, he planted his eyes on the V-shape of my body where my legs met at my hips, where I felt the water drip. I saw his brown irises turn hard and hungry.
Placed after a mention of death or dying, Kurt Vonnegut’s “So it goes” refrain throughout Slaughterhouse Five utilizes repetition to explore the inevitability of death. Over at the Ploughshares blog,…
Few things are more frightening for an academic and a scholar than losing the ability to think. Their livelihoods, and sense of self, are dependent on the cognitive ability to…