editing
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The Saturday Rumpus Interview: Vivian Lee
As an editor of color, one advantage I have is that writers of color are comfortable knowing I’m not asking for edits to artificially enhance or to cover up their race. It’s not weird to me that their characters look…
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Men Explain Submissions To Me
Perhaps he thought he was doing me a favor by explaining this to me so I might not get into further trouble. I’m afraid I have continued to get myself into trouble instead.
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The Rumpus Interview with Meghan Daum and Elliott Holt
Meghan Daum, the anthology’s editor, and Elliott Holt, who contributed its penultimate essay, discuss Selfish, Shallow, and Self-Absorbed.
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The Sunday Rumpus Interview: A Roundtable on Writing, Editing, and Race
With Lisa Factora-Borchers, Patrice Gopo, Jennifer Niesslein, Tamiko Nimura, and Deesha Philyaw.
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Trump, New Yorker Style
Andrew Boynton applies the New Yorker‘s stringent copyediting rules to a statement from Donald Trump “in the interest of clarity.”
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The Rumpus Interview with Danielle Dutton
Danielle Dutton discusses her forthcoming novel Margaret the First, the research behind writing historical fiction, and how being the editor of a small press has influenced her own work.
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Boudreaux Books
For Lit Hub, Kerri Arsenault interviews Lee Boudreaux, editor at the newly-minted Little, Brown imprint Boudreaux Books, about the editing process, the publishing world, and the necessary evil of book blurbs.
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The Rumpus Poetry Book Club Chat with Phillip B. Williams
The Rumpus Poetry Book Club chats with Phillip B. Williams about his new book Thief in the Interior, form in poetry, and balancing editing work with one’s own.
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The Rumpus Interview with Karolina Waclawiak
Karolina Waclawiak discusses her latest book, The Invaders, the dark side of human nature, and what it really means to be a “beach read”.
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The Editor as an Explorer
Over at Electric Literature, John Freeman reveals what’s behind being an editor and the magic in finding fresh, compelling writing voices.
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The Rumpus Poetry Book Club Chat with Ada Limón
The Rumpus Poetry Book Club chats with Ada Limón about her new book Bright Dead Things, writing love poems in an age of cynicism, and committing to places.
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This Week in Short Fiction
Editing. It’s the most reviled step of the writing process. It’s where we do the backbreaking work of word-weeding, where we must dissociate from ourselves enough to see our work objectively, where we’re forced to kill our darlings. It’s the…