At this stoplight, you might begin to think, “I’ve been here before, there is nothing new to notice.” But it seems to me that we actually live here, and we…
By this point, the relationship between books and television is complicated enough to merit its own Netflix series. Or its own book. Or maybe both: Like lovers who share an…
The critic giveth and he taketh away. In his review of Better Living Through Criticism, Jonathon Sturgeon counters A.O. Scott’s aversion to the idea of the critic as parasite: Maybe…
Is The Hunger Games feminist? Does it matter? Flavorwire’s Sarah Seltzer wonders whether we’re asking the wrong questions: It seduces us with a good-vs.-evil premise, but then muddies the entire…
From Alice Walker: Standing there knocking on Flannery O’Connor’s door, I do not think of her illness; her magnificent work in spite of it; I think: It all comes back…
If you like some of the things, why not read all of the things? Flavorwire’s Sarah Seltzer wonders why fans lose steam as we near the completist finish line: Maybe…
No one is forcing you to finish True Detective: …sometimes it’s OK not to “wait for the payoff.” Sometimes we just don’t like something, and we know that early on.
Women are winning fewer book prizes than men. And narratives about women don’t fair as well when it comes to prestigious prizes either. In fact, looking at the data, the most…
It sucks to read through an essay and just abruptly read a student’s usage of rape as an analogy for, like, soccer. For Flavorwire, Sarah Seltzer discusses the importance of…
It’s hard to enjoy reading Pride and Prejudice for the umpteenth time when the stack of books on your bedside table keeps reminding you of all the cultural capital you…
At Flavorwire, Jonathon Sturgeon presents an excerpt of Tim Parks’s new book, Where I’m Reading From: The Changing World of Books. In the excerpted section, Parks questions the simple idea of…
For Flavorwire, Jonathon Sturgeon works to define “contemporary” literature and wonders where Karl Knausgaard’s My Struggle fits into the mix. What he ultimately argues is that contemporary literature is often “project based,” and that…