We had to ask everyone. Not just the people who looked “good” to get money from. And that was great because of course I was surprised by who responded and…
Hrag Vartanian reports on recent curator capers for Hyperallergic: #AskaCurator day was conceived by UK-based Mar Dixon and has been embraced by many museums around the world. Yesterday, to mark the occasion, two well-known art…
At Hyperallergic, Gretta Louw reviews a new exhibit in Berlin, Contesting/Contexting SPORT. The transdisciplinary exhibit seeks to address the gross fallacy that professional sports can be removed from the politics…
“Hoping this will aid in concealing your Sunday affliction,” read a card attached to the beige garment. “With the compliments of Clyfford Still.” In 1952, disgruntled abstract expressionist Clyfford Still sent art…
For Hyperallergic, Allison Meier covers design ideas for nuclear waste warning signs, with scientists and artists around the world attempting to design warning signs that would deter humans 10,000 (or…
Allison Meier writes for Hyperallergic on the hand-drawn, recently digitized data visualizations produced by W. E. B. DuBois (in collaboration with others) to demonstrate the size and scope of black…
Rubens Ghenov’s solo exhibit at the Morgan Lehman Gallery, Accoutrements in Marwa, an Interlude in Silver, has an interesting source of inspiration: For the past four years, Ghenov’s paintings have…
Why do we care so much about these ruins, while paying so little attention to the more recent past or present of Syria? Perhaps because we can assimilate these classical…
Allison Meier writes at Hyperallergic on a speech, recently digitized by the British Library, that proves to be the only example of Shakespeare’s handwriting other than a few signatures. The excerpt…