Leah Kaminsky’s debut novel, The Waiting Room, depicts one fateful day in the life of an Australian doctor and mother, Dina, living in Haifa, Israel. Dina is trying to maintain…
What if I said: while people still believe they are white in America, that delusion, and the dream upon which it is founded, needs to be seriously examined.
Married authors Anne Raeff and Lori Ostlund, both winners of the Flannery O’Connor Award for Short Fiction, discuss their craft, their process, and the way they negotiate the give and take involved in sharing a vocation.
Chris Kraus’s experimental, cult classic I Love Dick has been adapted for TV by Jill Soloway, and it’s time to revisit and scrutinize Kraus’s use of the slur “kike,” and…
Here is something I’ve always believed: Just knowing I am an artist, asserting that identity, is more important than what I produce. It is a victory in itself.
Rebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.
Kim Brooks discusses her debut novel, The Houseguest, her approach to character and historical narrative, and the value of engaging readers with larger social issues through literature.