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Posts by tag

Katrina

8 posts
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  • Features & Reviews
  • Mini-Interviews

The Rumpus Mini-Interview Project #99: Bruce Snow

  • Erica Berry
  • August 31, 2017
The summer after Bruce Snow graduated from the University of New Orleans, Hurricane Katrina arrived in his hometown.
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Read
  • Features & Reviews
  • Marissa Korbel
  • Rumpus Original

Finding the Finally: Alice Anderson Discusses Some Bright Morning, I’ll Fly Away

  • Marissa Korbel
  • August 29, 2017
Alice Anderson on her memoir, Some Bright Morning, I’ll Fly Away, drag, and motherhood.
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  • Features & Reviews
  • Mini-Interviews

The Rumpus Mini-Interview Project #76: Chris Tusa

  • Steven Petite
  • March 23, 2017
Set in post-Katrina New Orleans, Chris Tusa’s second novel, In the City of Falling Stars (Livingston Press, September 2016), tells a tale of paranoia and intrigue. Maurice Delahoussaye witnesses dead birds…
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Read
  • Poetry
  • Rumpus Original

The Conversation: Hanif Willis-Abdurraqib and Paul Tran

  • The Conversation
  • March 28, 2016
The sitting down to write, convincing myself that my voice matters, even though there are so many telling me that it doesn’t.
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Read
  • Rumpus Original

There Is No Such Thing as a True Story

  • Ellen Urbani
  • March 1, 2016
Perspective is a fickle beast, and memory is an unreliable traveling companion through the years.
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  • Film

“Beasts of the Southern Wild”

  • Charley Locke
  • June 26, 2012
Ella Taylor reviews Beasts of the Southern Wild, a film which “racked up a total of four major awards and a storm of press attention” at Sundance and Cannes. It…
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  • Art
  • Rumpus Original

GENERATION GAP #7: Mario Tama’s New Orleans

  • Benjamin Morris
  • December 27, 2010
Now that It is over—now that the circus has come and gone, its glaring lights, its grips and its roadies; now that the visiting dignitaries have made their dignified departures…
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  • Rumpus Original
  • The Blurb

THE BLURB #17: The Poet Never Affirmeth

  • Travis Kurowski
  • May 26, 2010
Are there rules that govern the representation of the “real world” in fiction? How much should fiction writers be allowed to misrepresent history before being called out for it?
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