Lorrie Moore
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The Rumpus Interview with Paula Whyman
Paula Whyman discusses her debut collection You May See a Stranger, discovering truth in fiction, and how memory interferes with good storytelling.
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Near-Taxidermic Décolleté
What does “modern single woman” even mean anymore? Over at the New York Review of Books, Lorrie Moore investigates the idiosyncratic legacy of Helen Gurley Brown, the once and future editor-in-chief of Cosmopolitan.
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Short Revolution
Great novels also experiment and innovate, but a short story can make a never-before-seen formal leap and then peace out, before you’re even sure what’s happened. At Electric Literature, Rebecca Schiff introduces us to the authors who have revolutionized the…
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Lorrie Moore on Wisconsin and Steven Avery
Lorrie Moore writes an extensive ode to her weird home state of Wisconsin, and its newest national sensation, the Netflix documentary series Making a Murderer. The well-acclaimed Wisconsin author’s viewpoint on the series and its setting is interesting, to say the…
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So Little Time and Space
In an adapted excerpt from her introduction to 100 Years of the Best American Short Stories over at Lit Hub, Lorrie Moore grasps at the ungraspable reasons we read short stories: This is life itself, surprising and not entirely invited. And yet…
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No Narrator like a Gatsby Narrator
Over at Lit Hub, Robert Hahn finds homage to the voice of Nick Carraway in the fiction of Donna Tartt, Lorrie Moore, and Richard Ford, and discusses the lasting allure and the divisiveness of The Great Gatsby: There is a…
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The Rumpus Interview with David Lipsky
David Lipsky, whose book was recently adapted into the movie The End of the Tour, discusses his career as a writer and journalist as it’s evolved in the twenty years since his road trip with David Foster Wallace.
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Swinging Modern Sounds #67: The Franchise Restaurants of Song
Musician Owen Ashworth on his new album, Nephew in the Wild, literary influences, self-expression in songwriting, and how becoming a father has changed his work.
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The Power of the Common Tongue
For The Millions, Lauren Alwan provides “a brief history” and analysis of colloquial titles, including works from authors like Ernest Hemingway, Flannery O’Connor, Lorrie Moore, and Raymond Carver. In addition, Alwan offers her insights as to what makes colloquial titles so…
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Reviewing July
So my introduction to July was one at which I watched her redefine boundaries and hijack something destined to be inert and turn it into something uncomfortably alive, whether you wanted her to or not. This has been my experience…
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Mother Moore
In Hazlitt, Naomi Skwarna writes about using the writing of Lorrie Moore as a mother substitute: Living without a mother is a freedom by turns radical and excruciating. It is swimming in the ocean, and Moore’s writing was what made…
