Margaret Atwood
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Saying What Shouldn’t Be Said: A Conversation with Julie Buntin
Julie Buntin discusses her debut novel, Marlena, why writing about teenage girls is the most serious thing in the world, and finding truths in fiction.
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What to Read When the President Decides It’s “Time to Exit Paris”
Turn off the television and pick up a book. You’ll feel better for it, we promise.
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A Recommended Reading List for Trump’s America
We asked nineteen authors what books they’d suggest as recommended reading in light of America’s new political reality.
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The Sunday Rumpus Interview: Dipika Mukherjee
Telling a human story, with individuals experiencing the effects of an actual political issue—that’s my part in shaking the ground.
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The Rumpus Interview with Robert Glancy
Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs.
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Reimagining The Tempest
How to create a credible contemporary novel from a work written four centuries ago for the stage? In a New York Times Book Review, author Emily St. John Mandel reviews Margaret Atwood’s Hag-Seed, a modern interpretation of William Shakespeare’s The…
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The Handmaid’s (Cautionary) Tale
At The Establishment, Laura Beans discusses the importance of Margaret Atwood’s The Handmaid’s Tale as a predictive novel, drawing many connections between the novel and increasing attempts to control women’s bodies: Instead of seeming further from the truth, the novel’s…
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Like Tears in Rain
In a universe slowly sinking into entropy, writing can take the disordered pieces of our experience and fit their edges together into something organized. If the work of a writer is to tease out meaning from the tangled mess of life, many of…
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Cats, Comics, and Conservation
Some find it strange that a person known for her novels and poetry would take to writing comic books called Angel Catbird. But I myself don’t find it very strange. Read an excerpt from the talented Margaret Atwood’s first graphic novel, Angel…
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All That We Could Do with This Emotion
Writing for the Guardian, novelist Val McDermid disputes the recent study which suggests that “literary” fiction readers are more empathetic than “genre” readers: There is no doubt that, historically, there was a valid distinction. Nobody would attempt to suggest that there is an…
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Make Me Believe
The response to [the Handmaid’s Tale] was interesting. The English, who had already had their religious civil war, said, “Jolly good yarn.” The Canadians in their nervous way, said, “Could it happen here?” And the Americans said, “How long have…
