nonfiction
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Once a Plagiarist
Jonah Lehrer, who admitted to plagiarism and fabrication in his 2012 book Imagine: How Creativity Works, has a new book out. It seems that once accused of plagiarism, though, those charges are hard to dodge: According to Daniel Engber, Lehrer’s new…
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Paper Memories
At Medium, Melissa Mesku, founding editor of New Worker Magazine, writes about what it was like to sort through thirty years’ worth of journals, diaries, notes, and scraps of paper: Those handwritten pages contained everything I was — everything I’d ever been, wanted,…
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A Quiet Corner of the World
At the New York Times, Adelle Waldman, author of The Love Affairs of Nathaniel P., writes about how a national park in Montana left an indelible mark on her and her marriage: We were both intoxicated by the place, not…
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A Woman of the Ear
If Flaubert was ‘a man of the quill,’ then perhaps I am ‘a woman of the ear.’ My interviews aren’t interviews as such. Just talks. We just talk and my role is to listen. Listening was difficult at first because…
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The Rumpus Interview with Bernadette Murphy
Bernadette Murphy on her forthcoming book, Harley and Me: Embracing Risk on the Road to a More Authentic Life, the challenges of selling a memoir, and life beyond “the suburban-wife-mother picture.”
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The Rumpus Interview With Brenda Miller
Author Brenda Miller discusses the lyric essay, her “poet self” who always bleeds through, and what she’s writing about next.
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Long-Distance Writing
Over at The Collapsar, Brian Oliu pens a stunning essay on writing, running, and changing one’s perception of both the body and the prose: This, to me, is what a successful essay does: it confesses before the writer is ready–instead…
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The Rumpus Interview with Debbie Moderow
Debbie Moderow talks about her new memoir, Fast Into the Night: A Woman, her Dogs, and their Journey North on the Iditarod Trail, the realities of dog sled racing, and climate change.
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(K)ink: Writing While Deviant: Bruce Owens Grimm
The more secrets I wrote about, the fewer I wanted to keep. And the more secrets I made public through my writing, the more I gained.
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Fact or Fiction?
For the Guardian, Richard Lea investigates the distinction between fiction and nonfiction writing, a distinction that exists most firmly in anglophone cultures and literature. Lea interviews several writers who work with texts in other languages, either as bilingual authors or translators,…
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Just Dance
Well, that’s the point of being alone—it’s not anything to do with you. It’s about being something in someone else’s life, and no one ever knows the difference, or the truth. That’s why people like bad movies and bad fiction,…
