At the Washington Post, Carlos Lozada compares Donald Trump with the fictional dictators of two novels that seem to uncannily anticipate the rise of today’s foul-mouthed “politician.” Sinclair Lewis’s It Can’t…
Rebecca Schiff discusses her debut collection The Bed That Moved, choosing narrators who share similarities with each other and with herself, and whether feminism and fiction-writing conflict.
Annie Liontas talks about her debut novel Let Me Explain You, crafting voices, and the benefits—and occasional pitfalls—of returning to get an MFA after years of writing in the dark.
The Rumpus Poetry Book Club chats with Thorpe Moeckel about his new book Arcadia Road, the challenge of writing long poems, raising twins, and camo thongs.
Philip Roth’s retirement may well go down in history as one of the literary world’s greatest pranks. Over at The Baffler, J.C. Hallman takes a look at whether the literary…
Superficially, Philip Roth and Paul Beatty might appear as polar opposites. But over at Forward, Hannah Assouline argues that Beatty could be Roth’s literary heir. Assouline calls Beatty’s latest novel, The Sellout,…
Art is problematic. Humans are problematic. Roxane Gay is a bad feminist. We know this, yet still we attack each other for liking Lil Wayne or Fifty Shades of Grey. Flavorwire‘s…
At The Millions, Jonathan Russell Clark analyzes several last sentences from well-known novels by Hemingway, Tolstoy, Morrison, and Roth. He pays particular attention to the craftsmanship necessary to write these sentences, and…
Here’s why I think that Philip Roth and Cormac McCarthy are opposites: Roth is a builder, and McCarthy is a destroyer. Over at the Ploughshares blog, Lily Meyerin tells us why…
Writer and illustrator Tomi Ungerer discusses his exile in Ireland, being a target of censorship, and his work's recent resurgence of popularity in the US.
For T Magazine, seven authors reflect on the experience of revisiting and annotating their early works for an upcoming PEN American Center fundraiser. George Saunders thinks his style in CivilWarLand…