Most work is not fulfilling, and by the time we finally realize it all the friends we’d like to turn to for support have been scattered across the globe in…
Ploughshares talks to Jennine Capó Crucet about her new novel, Make Your Home Among Strangers, and what it was like growing up with parents who bought into the American Dream: I mean,…
e.v. de cleyre, writing for Ploughshares, offers a look at the art of omission from Rankine to Fitzgerald: what it means to omit something from the story, whether it be…
WRITER: Thank you. Thank you. Really. Because my whole problem is I’m incapable of noticing things I might want to write about. I walk through this world blind, and it’s not till…
Four sisters, each vivid, but composed, really, of just a few brushstrokes. Here, neatly categorized for us before we’ve made it out of the first chapter, are four different ways…
Generations of American writers have approached Asian cultures with the best of intentions but repeatedly missed the mark. How can we rescue Asian artists and thinkers like Hokusai from our…
I like to joke that I’m like a shark—my writing has to keep moving or it will die. Ploughshares interviews Jehanne Dubrow about her latest poetry collection, The Arranged Marriage,…
Using the second person is a tricky but effective writing device, though its use is pretty uncommon. Over at the Ploughshares blog, E.V. De Cleyre offers some clever examples of writing…
The venom of an evil actually engages us: it brings together those who feel invariably shunned by an unjust and misogynistic world. For the Ploughshares blog, John Rufo discusses the…