Nothing, in the opinion of a New Yorker, can exceed boiled sheep’shead served up at a sumptuous dinner. . . This noble fish . . . the feats of hooking…
At the Public Domain Review, Abigail Walthausen looks at the work of Arthur Heming, a Canadian colorblind painter who lived in an artist colony in Connecticut.
To many a browser upon a bookstall, the name Aristotle in the title meant—nudge nudge wink wink—a book about sex. For the Public Domain Review, Mary Fissell examines Aristotle’s Masterpiece, a 17th-century…
You could argue that Machiavelli’s entire worldview was comic, but comic in a peculiar way: ironic, wry, a little melancholy, punctuated by an earthy vulgarity that, these days, would get…
The Public Domain Review takes a trip through the world of imaginary musical instruments, including sound houses, steam-powered bands, and the infamous cat piano.
In fact, as far as his daily life went, “Lewis Carroll” was a complete non-person. Charles was always known personally only by his real name, letters directed to the pseudonym…
In the seventeenth century, country folk believed that the badger had legs on one side shorter than the other – the consensus was that the short legs were on the…
At The Public Domain Review, Henry Giardina examines how the then-recent invention of motion picture influenced Frank Norris’s novel McTeague and the development of naturalism.
Sudden sounds, such as the report of a musket or a cannon, were well known to kill scorbutic sailors. Even pleasant stimuli such as a drink of fresh water, or…
For The Public Domain Review, Dane Kennedy looks at two accounts of European expeditions that undermined the popular Victorian view of African exploration.
For the image to work…the viewer must not see the image for what it is – a black square. The viewer must understand the square as formlessness, and the black…