Raymond Carver
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The Rumpus Book Club Chat with Beth Alvarado
Beth Alvarado discusses her new story collection, JILLIAN IN THE BORDERLANDS.
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Not All of Us Are on Vacation: Talking with Jason Allen
Jason Allen discusses his debut novel, THE EAST END.
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The World of the Book: Talking with Elizabeth McCracken
Elizabeth McCracken discusses her new novel, BOWLAWAY.
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The Delusion of Objectivity: Talking with Leslie Jamison
Leslie Jamison discusses The Recovering: Intoxication and Its Aftermath, understanding that every text is incomplete, and whether motherhood has changed her writing.
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A Love Letter to Fuckhead
If you’re judging your characters, you’re not doing it right. I’ll always be grateful to [Denis] Johnson for teaching me that.
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The Big Idea: John Freeman
John Freeman, Executive Editor at Lit Hub, talks with Suzanne Koven about his new print-only literary magazine Freeman’s, the difference between between criticism and editing, and his fear of flying.
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The Invisible Lower Class
Raymond Carver and other “Kmart realists” championed the working class in high-brow literary fiction. But has the realism of the 99% gone out of style? Electric Literature explores.
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The Rumpus Interview with Marian Thurm
Prolific author Marian Thurm talks about her new collection of stories, Today is Not Your Day, being a true New Yorker, and the importance of sympathetic characters.
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The Rumpus Interview with David Lipsky
David Lipsky, whose book was recently adapted into the movie The End of the Tour, discusses his career as a writer and journalist as it’s evolved in the twenty years since his road trip with David Foster Wallace.
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Swinging Modern Sounds #67: The Franchise Restaurants of Song
Musician Owen Ashworth on his new album, Nephew in the Wild, literary influences, self-expression in songwriting, and how becoming a father has changed his work.
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The Power of the Common Tongue
For The Millions, Lauren Alwan provides “a brief history” and analysis of colloquial titles, including works from authors like Ernest Hemingway, Flannery O’Connor, Lorrie Moore, and Raymond Carver. In addition, Alwan offers her insights as to what makes colloquial titles so…
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The Last Poem I Loved: “Locking Yourself Out Then Trying To Get Back In” by Raymond Carver
Some deep part of me thinks that this is all poetry is, at best: a clear record of a moment where something catches.