Ryan Gosling
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The Rumpus Review of La La Land
Fantasy needs reality “because it’s only with the real backdrop that it works at all,” and reality needs fantasy to challenge its façade
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The Rumpus Review of The Light Between Oceans
I wanted so badly to invest in the characters, to cry and feel their pain, but I felt detached.
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The Rumpus Review of The Big Short
My reading of the audience’s reaction to the bombast of The Big Short is not that people genuinely find the story amusing, but rather, that we are experiencing discomfort while simultaneously expecting to be entertained.
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Meme-Control
Don’t discount the power of memes to control minds. The National Post reports: Feminist Ryan Gosling is an “image macro,” a photo superimposed with text to humourous effect — and frequently employed for political ends. The ultimate takeaway from the…
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The Rumpus Review of The Place Beyond The Pines
The Place Beyond the Pines begins with a long tracking shot, and the shot acts as a summary of everything that’s good about the movie: its confidence, its ambition, and its meager but distinct accomplishments.
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The Rumpus Review of Drive
There are two ways of looking at Drive, the recent Ryan Gosling noir. You can consider what happens on the screen—the plot, dialogue, and action, or you can consider what doesn’t happen—the many silences, distances, empty spaces, questions left unanswered, and…