Sex
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(K)ink: Writing While Deviant: Tina Horn
I would go so far as to say that the entire reason I write is to detect all the irony that language allows and twist it around the truth like razor wire and ivy. That’s how I like my truth:…
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(K)ink: Writing While Deviant: Michael Broder
If I am a sub poet, is poetry as a genre my dom? Is the particular poem I’m working on my dom?
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This Week in Short Fiction
You know it’s fall because of the crisp air, the changing leaves, the decorative gourds, and, most importantly, because the fall issues of literary magazines are launching. This week was Virginia Quarterly Review’s turn. On Monday, its Fall 2015 issue…
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Lolita in the Seventh Grade
Over at the Paris Review, Nick Antosca writes what it felt like to read Nabokov’s Lolita as a 12-year-old boy: Even if I didn’t quite grasp the nature of my radical misreading of the novel—Humbert’s a predator, not a competitor—I understood that for the majority of…
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The Saturday Rumpus Essay: On Madness and Mad Men
In my eight years as a Mad Men fan, the series has repeatedly prompted me to reflect on parenting.
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The Rumpus Interview with Melissa Gira Grant
Melissa Gira Grant talks sex workers’ rights, labor politics, the novelty of women’s sexuality, and her book, Playing the Whore: The Work of Sex Work.
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The Saturday Rumpus Essay: Thunder, Thighs
Over one third of the women in my survey had been called “Thunder Thighs” at some point in their life. Many were still haunted by this. None of them interpreted “thunder” to mean “power.
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The Saturday Rumpus Review: Little Minnie at the Movies
Being a teenager sucks. It’s not pretty or nice or sweet or kind.
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(K)ink: Writing While Deviant: Janet W. Hardy
In this ongoing series, writers in all genres explore the intersection between our literary lives and practices and our BDSM and fetishistic lives and practices.
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Sex and Selfhood
At the New Yorker, Garth Greenwell looks at the vivid sex scenes of Lidia Yuknavitch: Yuknavitch’s sex scenes are remarkable among current American novelists, not just for their explicitness but for the way she uses them to pursue questions of…

