swinging modern sounds
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Swinging Modern Sounds #81: On Cultural Preservation
The Lost Boys had their moment in the media, but these people, these survivors, not boys at all and not lost now either, are still here, living lives, growing and changing and thinking and reflecting.
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Swinging Modern Sounds #80: I Just Don’t Want to Wait Around Anymore
Mulcahy’s Possum is, like the animal titularly referred to, a sly and imaginative affair…
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Swinging Modern Sounds #79: The Rhythm Section Speaks
Maybe there is something important about rock and roll now, rock and roll the neglected past tense of a musical form, and that is that it is the music of adults.
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Swinging Modern Sounds #78: Conceived as a Playlist
Shadowbahn […] is among the most unusual, and most extreme, in a literary career that has often been marked by its unpredictability.
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Swinging Modern Sounds #77: People Give Me Things, Part One
[T]he thing about receiving music from other people is this: there is always some grace associated with the transaction.
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Swinging Modern Sounds #76: American Songbag
In the broadest sense, I think of this work as being about the stuff of life: excitement, love, disappointment, pride, nature, cities, war, loneliness, work, class distinction, communication.
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Swinging Modern Sounds #75: The Petra Haden Story
At every turn, Haden’s decisions, while labor-intensive and rigorous, feel fresh, passionate, funny, and new.
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Swinging Modern Sounds #74: A Social Practice
Everywhere there is sterling musicianship, of the original, unexpected sort.
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Swinging Modern Sounds #73: Prince Rogers Nelson, Guitar Player: A Symposium
I started thinking about additional, more slantwise ways we might talk about his legacy. What if I organized a bunch of guitar players?
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Swinging Modern Sounds #72: Urban Pastoral
It’s like a landscape that you can’t know until you’ve seen it through four seasons, until you’ve seen it on days gray and bright.
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Swinging Modern Sounds #71: A Michael Bay Film Eating Itself
“Love,” then is not to be taken lightly here. It is being engaged at full force, megaphonically.
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Swinging Modern Sounds #70: Alien Now!
Maybe, in terms of idiom, The Dabbers are like a thrash rock and roll version of the Cocteau Twins, or what the This Mortal Coil would sound like if the Dead Boys tried to cover one of their albums.