Recently, several novelists have criticized the primary curriculum in the UK for teaching a brand of creative writing that is too “complex.” For the Guardian, Ella Slater explains why she agrees…
Paul Griner talks about his newest novel, Second Life, his just-released story collection Hurry Please I Want to Know, putting real life into fiction, and whether creative writing can be taught.
Julia was one of those “students” whom you suspect, after maybe fifteen seconds, should actually be teaching the class you are currently (allegedly) teaching.
Writer, musician, and poet Christian Kiefer discusses his literary influences, the "beautiful, beat up, and weird town" that is Reno, and writing from the perspective of beasts in his new novel The Animals.
Last week, Ryan Boudinot published the MFA-disparaging essay/listicle/cranky advice column that launched a thousand angry tweets. Electric Literature has two responses: one supporting Boudinot’s core argument and one rebutting it.
Writers Rivka Galchen and Zoë Heller, over at The New York Times, discuss the question that will never go away: can writing be taught? They raise valid points about whether teaching writing…
Julia Fierro has a debut novel Cutting Teeth, but for much of the last decade, the writer was so dispirited by the rejection of her first manuscript that she stopped writing.…
Teaching is a complicated profession, especially in the field of creative writing where emotions run high. Does teaching hurt your writing? What if you’re an able writer but a mediocre…
At the Tazewell County Justice Center, on a Monday night in May, five women gather for a creative-writing class. They microwave plastic cups of instant coffee, then drag chairs up to the conference table where we’ll write.
The ever-contentious subject of teaching creative writing is up for discussion. You can teach the elements, but there are always the “intangibles that cannot be taught.” Roxane Gay is inciting…