Teju Cole
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Notable NYC: 1/23–1/29
Saturday 1/23: Kristina Bicher, Claudia Cortese, Rachel Eliza Griffiths, and Sharon Mesmer join Couplet, a quarterly reading series. The Delancey, 7 p.m., free. Robert Fitterman reads from his latest collection along with Brian Droltcour at the Segue Series. Zinc Bar,…
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The Role of the Critical Writer
For The Awl, Maria Bustillos sits down for lunch with writer Teju Cole in Bali, where Cole recently spoke at the Ubud Writers and Readers Festival. The two discuss art, colonialism, and the role of the critical writer. Regarding the latter, Cole…
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R.I.P.: The Museum of Death
What strikes me is not the necrophilia or the fetal pigs or the spoon designed for scooping out human brain matter, but rather the mundane.
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Teju Cole Made You a Mixtape
This is a Lasgidi of the mind, representing a meld of many club nights in Lagos and alternate Lagoses through the past decade. It is a cauldron of that vertiginous self-confidence that anyone who knows any Nigerians knows well. Put…
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Rushdie Slams Withdrawn PEN Panelists
PEN America announced on Sunday their intention to honor Charlie Hebdo’s surviving staff with the Freedom of Expression Courage award at their May 5 Gala. The novelists Peter Carey, Michael Ondaatje, Francine Prose, Teju Cole, Rachel Kushner, and Taiye Selasi…
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The Eye of the Writer
She sent me this photograph and wrote: I run across my own life as a dog runs across a field, zigzag. The search is endless. Then I come to a sudden stop. I stand and listen to the small movements…
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Teju Cole: On Photography
Among one of the many new aspects of the New York Times Magazine’s redesign is a cast of four columnists, each featured for one week during the month. Here’s Teju Cole on photography in his first installment.
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Who Do You Cry For?
Who do we remember and why do we mourn? Teju Cole writes about unmournable bodies for the New Yorker.
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Reserved for the Dead and Dignified
For the New Yorker’s “Inner Worlds,” Colum McCann writes about his father’s writing shed, and Teju Cole shares his experience of watching (and rewatching) Krzysztof Kieślowski’s “Red.”
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Writers Read For “Guilty Pleasure” Too
In the second volume of the series “How Writers Read,” The Believer asks a diverse group of authors (including Teju Cole and Graham Foust) about their reading preferences. Questions range from what the authors read for “guilty pleasure,” to whether they prefer shorter or…
