Lola StVil discusses her latest novel, Girls Like Me, how her characters demand to be written, what her family thinks of her writing career, and why representation is essential.
I’m not here to wallow in what feels like our new dystopia, no. Me? I am here, to rest up before the next bout. I am here to watch The Price Is Right and make friends.
The day after Hugh Hefner died, I received a text from my sister that our grandfather was starring alongside James Franco and Maggie Gyllenhaal in HBO's new series, The Deuce.
[A]ll this sensationalism has made The Weather Channel, inadvertently and ever increasingly, the essential television viewing experience of the Anthropocene.
At the New York Times Sunday Review, Rumpus Funny Women Editor Elissa Bassist asks whether television shows have become reliant on cliffhangers as a way to retain viewership season over…
If there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?
Samantha Irby discusses her new essay collection, We Are Never Meeting in Real Life, all that comes along with writing about your life, and reading great horror books.