An anonymous writer at the Guardian has a second career in erotica to fund their academic lifestyle, despite mixed reactions from colleagues: Colleagues in the arts react with a strange mixture of nervous supportiveness…
For the Guardian, Alison Flood writes on the bias of the Oxford English Dictionary towards “famous literary examples” instead of the actual origin, resulting in the incorrect attribution of several still-used words…
The Dictionary of American Regional English, or DARE, has launched a campaign to save fifty words and phrases it deems are dying from lack of use, reports Alison Flood for the…
Sworn haters of the word ‘moist,’ now is your chance to be heard. Oxford Dictionaries has launched a worldwide vote to find English language speakers’ least favorite word, the Guardian’s…
Writing for the Guardian, novelist Val McDermid disputes the recent study which suggests that “literary” fiction readers are more empathetic than “genre” readers: There is no doubt that, historically, there was a valid…
Why is Catch-22 so widely read? According to the Guardian’s Sam Jordison, Joseph Heller’s novel is powerful because its protagonist Yossarian is “an old-fashioned hero”: Readers immediately cared about Yossarian, and his survival.…
At the Guardian, Marta Bausells interviews Idra Novey about her life as a translator, the notion of vanishing, and the freedom of speaking another language. On writing her novel, Ways to…
At the Guardian, Charlotte Jones takes issue with the recently announced Pride and Prejudice sequel fleshing out the life of Mary Bennett—a character whose neglect is central to Austin’s plot:…
Colson Whitehead’s new novel, The Underground Railroad, was announced as an Oprah’s Book Club selection on the day of its release. Speaking to Michelle Dean in the Guardian, Whitehead discusses his reaction…
According to an article by Alison Flood in the Guardian, library use in England has fallen almost 31 percent over the past decade, with one notable exception: Adults in the least…
At The Awl, Jo Livingstone discusses the divide between academic and popular writing. In this first installment of a two-part series, she is joined by David Wolf, the commissioning editor…
Less than two percent of science fiction stories published in 2015 were by black writers. And a recent study found that black speculative fiction writers face “universal” racism—more damning evidence demonstrating…