The message sent to women that what they are writing isn’t important or serious enough is not a new one. It is as old as literature itself. And its persistence…
We often look to metaphor for guidance in our constant search for the how and why of writing. In an essay at The Millions comparing writing to running, Nick Ripatrazone explains…
The benefits of quotation marks may seem obvious, but are there drawbacks? Over at The Millions, Jonathan Russell Clark makes the case for leveling the linguistic playing field: One is…
At its worst, Pynchon’s prose is a beautiful failure. At its best, Pynchon’s prose is revelatory. Nick Ripatrazone, writing for The Millions, talks about what makes it so hard to…
There is a certain writerly allure to casino gambling that I find difficult to resist — or perhaps I should call it a not writing allure. Having a crowd chant…
When we say “in a weird way” now, we often are letting you know: I recognize that what I am about to say may seem unclear, impressionistic, or strange; I…
For The Millions, J.C. Hallman shares his experience listening to the audiobook version of Nicholson Baker’s phone sex novel Vox in public places. What Hallman learns is that while the book might have…
For The Millions, Daniel O’Malley examines the appearance of monkeys in literature, dividing them into two categories: “the first involves stories that feature monkeys as prominent characters or focal points”; and…
While the novels’ detective protagonists pick their way with varying success through a maze of vexing people and circumstances, readers navigates their own tangled maze of contradictory conventions as the…
At The Millions, seven writers share the visual inspiration they keep in their writing spaces, whether an illustration to capture the mood of a novel-in-progress, a photo reminding them of…